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草川啓造
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《魔法少女奈叶 The MOVIE 1st》是原创动画《魔法少女奈叶》系列的第1部剧场版动画,由Seven Arcs制作,于2010年1月23日起在日本上映。该片是对2004年电视动画《魔法少女奈叶》(第1部)的改编与完全重制,结合后续动画及漫画、小说、设定集、游戏等中的新增设定,对“圣石之种事件”进行了重新演绎。剧场版「魔法少女奈叶 The MOVIE 1st」是动画第一季「魔法少女奈叶」的升级强化版。将TV系列第1季全13话的映像进行组合,制作成超过100分钟的新映像作品,所以并不是通常所说的总集篇。故事既将忠实的跟随着第一季的线路,又会加入各种的展开(包括小说,DRAMA CD,续篇的附加设定)。对于看过TV系列的人来说,是触及对之后各种各样的事件而成长的,不知不觉成为引导新时代的两个少女,高町奈叶和菲特泰斯特罗莎的相遇和开端的故事;而对于第一次接触剧场的人来说这是个被命运翻弄的二个少女的相遇,战斗和友情的故事。满载SF风味的魔法战斗的视觉享受和直接的故事,以剧场版才有的质量展开。
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Cole Davidson,Matthew Luke Tucci,约翰尼·哈洛兰,亚历克斯·巴伯,保罗·坎达里安,艾米·苏·福尔,马修·卢克·图齐,杰夫马克,Gina Barber
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After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.
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Eva Tavares
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When a baby boy shows up on their doorstep days before Christmas with a note written specially for them, Erin (Liebert) and Kelly (Barrell) must learn how to navigate their new relationship and career dynamics while unexpectedly caring for a newborn. As the couple spends more time with the baby as a temporary solution until he can be placed permanently or they can find his mother, they begin to realize that they want to adopt him themselves and go about navigating the complicated world of fostering to adopt all while their business is booming at the busiest time of the year, Christmas. Starring Ali Liebert, Katherine Barrell and Barbara Niven.
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Karam Gill
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From Lagos to London, this powerful documentary follows Wizkid’s rise as a global icon reshaping how Africa is seen — and heard — around the world. Blending intimate moments, explosive performances, and cultural commentary, the film captures how Wizkid is using his platform to change perceptions, reclaim African identity, and inspire a new generation.
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未知
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An Irish detective teams up with a Kiwi cop to find an Irish couple who've vanished from a rural New Zealand town. The pair have to contend with a community's growing disquiet that the disappearances may be linked to a series of historical murders.
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Philip Curry
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菜鸟律师班戴利揭发了一桩弊案。他所任职的法律事务所执行长凯勒,涉嫌侵占客户遗产。凯勒买通证人凯洛琳作伪证而获判无罪。媒体将班描写成一个利用吹哨者法案来勒索雇主的人。班在失业之余,还罹患一种罕见的精神疾病:词语替换障碍。他无法使用正确词汇与人交谈,甚至口出秽言,于是他开始回避与任何人的接触。某天,凯洛琳突遭杀害,她的前夫推定她是因作伪证而遭灭口,如果证实当年为误判,这不仅能还班的清白,更能将凯勒定罪。班必须再次坐上他最恐惧的证人席,在媒体虎视眈眈、公众旁听之下,接受一而再、再而三的审问。
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卢特菲·内森
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罗马帝国统治下的埃及,一个家庭为躲避追杀而隐秘生活。家中年轻的儿子(被称为“男孩”)开始对自己的监护人(被称为“木匠”)的身份和教诲产生深深的怀疑。 男孩体内沉睡着某种神秘而强大的超自然力量。随着他的成长与反叛,这股力量开始觉醒并失控。每当他动用一次能力,就会打破现实的脆弱平衡,招致更可怕的反噬——他们不仅要面对罗马士兵的世俗威胁,更要遭遇因亵渎神明而引发的、超越自然规律的恐怖现象:尼罗河水逆流、沙暴中浮现古老邪灵、瘟疫以超自然的方式蔓延…… 这个家庭被迫在双重恐惧的夹缝中求生:一边是外部世界的追捕,另一边是来自男孩自身力量的、逐渐失控的神性(或魔性)灾难。
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马特·丹纳,Gino Nichele
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Greg Heffley再度出击。这一次,他把全家人一起拖进爆笑风暴。意外连连的惊险闹剧,Greg面临人生最大难题:面对老爸的最后通牒,他能否成功逆转?
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丹尼尔·诺拉斯科
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Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.






























